I’m calling bullshit. Where’s New Moon?
it’s hilarious how poor stereogum readers’ taste in film is compared to the same in music, which is quite good. category should be renamed “Movies That Were Most Shamelessly Marketed to My Demographic.”
Right, ’cause A Serious Man and Hurt Locker were marketed for the indie kids?
you specifically chose the only two films off this list about which i wouldn’t make that claim, so there you go. that doesn’t stop me from thinking these are two of the year’s laziest critical giants, and i consider myself an ardent fan of the Coens and Bigelow.
i think the sad fact behind believing that we were the target audience for a lot of these movies is that when they show up on this list, it means the marketing worked.
such as the oh so annoying 500 days of summer background change stereogum did around it’s premiere.
p.s. knock that shit off, stereogum. never again.
I think the main complaint should be that for a demographic who cares fervently about independent music, that same ethic sadly isn’t really reflected when it comes to independent films.
exactly. there’s not a single film here that was released by an actual independent, despite the fact that several were directed by name-brand “auteurs.”
Yeah..that’s about right.
The quote on the (500) Days of Summer poster represents everything that was wrong with the marketing of this movie!
I thought it was going to be a cheesefest but it was actually quite charming and enjoyable. I’m just a sucker for that sort of narration. Had it been portrayed in a lineal form, it would had lost a lot of impact.
if it wasn’t for such a late release, it would’ve been fantastic mr. fox.
Boo to 500 Days of Summer being on here with the rest — it’s the next Garden State (movie that people will realize sucks once they see it more than once. Sorry, Zooey Deschanel was not even a character, she was a series of quirks!).
I thought that was sort of the point of her character? Since we were seeing everything from Joseph Gordon-Levitt’s point of view, we never really see her in her full form, only as he sees her – which basically boils down to her quirks and taste in music and movies and the things that he appreciates about her. Never really the other stuff, the stuff that makes her a living person.
My cousin is taking a feminist theory class in college right now. (500) days came up as an example of the “masculine gaze”, which is what the whole movie was about. It was a chick flick for dudes. During the summer, I moved 400 miles away from my girlfriend. We had our problems with distance and when she came to visit me, she totally gave me the cold shoulder. I told my friends she “summer’d” me. Everyone immediately knew what I was referencing. Fucking bitch. I hate you Summer.
Straight up. Anyone who voted for that shit is wweeeaaakkk.
couldn’t agree more. her character was a shell.
really? where the wild things are as #2. lame.
Needs more In the Loop.
who are you, the oscars?
No love for Moon? That was one of the best movies I’ve seen in a long time, an intense psychological exploration and a promising directorial debut from David Bowie’s son.
Moon was unbelievable. By far the best film I’ve seen this year…
The basterds win again.
I can dig this top 8, I have not seen the last two sadly and apparently they’re the only non hipster-panderers? Boo
WE HAD A GOOD YEAR FOR MOVIES!
Well, at least A Serious Man and District 9 are on the list, just not at the top where they belong.
Up was good…and…that’s about all.
inglorious basterds was really good :D
FUCK The Hangover. fucking terrible movie.
The general blandness of this film list as compared with the list of top albums is interesting to notice … but it’s also worth remembering that independent music is MUCH more easily distributed than independent films. We can all download a Washed Out EP, but far fewer of us live anywhere near a theatre that showed Beeswax – which is too bad.
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