Once upon a time, I hated Company Flow. Their music sounded like rap as rigid noise-attack, all funless bellowing and construction-site clang. El-P's solo yammer "Patriotism" was the one track I always skipped on the great Rawkus compilations Soundbombing II. Whenever his voice showed up on the underground rap albums I loved, like Atmosphere's Lucy Ford on the Quannum Spectrum ...