Find Me On:
I mean, considering that you *are* the Raptor Jesus, I’m willing to give credence to your assertions. That explains why your and Richard D. James’ initials are so close, after all…
I saw that after I read this post, but thanks for pointing that out! I apparently should be reading this feature.
Oh man, I didn’t know Kelly was writing for this ‘gum now! I have been missing out, apparently.
ALSO, that pamphlet on disappearing reads a lot like this weird pamphlet on meditation that someone outside the subway handed to me. I just figured they were part of a local yoga cult. That’s a thing, right?
Anthropomorphic Microsoft paperclip? It’s clippy, bitch.
I would like to throw Kitty’s “m0rgan stop =͟͟͞͞ʕ•̫͡•ʔ =͟͟͞͞ʕ•̫͡•ʔ =͟͟͞͞ʕ•̫͡•ʔ =͟͟͞͞ʕ•̫͡•ʔ =͟͟͞͞ʕ•̫͡•ʔ” in there. It’s got such a nice, breezy bounce, I know I will be foisting that upon my Fire Island housemates this summer.
-Robyn & Royksopp – “Do It Again”
-tUnE-yArDs – “Water Fountain”
-Iggy Azalea & Charlie XCX – “Fancy”
-Giorgio Moroder – “Giorgio’s Theme”
I’m also tempted to say Austra’s “Habitat,” though that seems more specific to balmy late nights…
“Work Work” is great, and you’re right, I think that could be good summer jam material…
Huh, Tom knows things about comic books! Who knew?
Also, it’s not *like* that was taken from Wikipedia… seriously, check out the entry: http://en.wikipedia.org/wiki/Nirvana_(band)
Re: her fans and the music she makes now, in both _’s and charliepanayi’s comments: I think that’s a bit harsh. I mean, her music definitely doesn’t have the same spark (sorry) that it used to, but I chalk that up to the fact that she seems pretty happy now, and not to mention that’s it pretty difficult to keep your music fresh and interesting over such an extended (and prolific) period of time. I hate to sound like an artist needs to suffer in order to make interesting music, but that inner turmoil is what charged her music throughout the 90s, even for the songs where she wasn’t trying to expand her sonic palette (which is something she did push more and more as the millennium approached). I think that after she spent the better part of 10 years working out her demons in the recording studio and on stage, and settled down with a family, she felt the need to go more conceptual, to try and keep her work interesting. Granted, I don’t think it entirely worked… maybe it would have been more interesting had she not settled on a more pop-focused sound after Scarlet’s Walk… but I don’t think I can say she hasn’t tried.
(And also, yes, I used to be a huge Tori fan. Not quite a die hard who found her infallible, but she was one of my two favorite artists up until the middle of her concept album phase, where my interest dropped precipitously.)
To add to the schizophrenic nature of these comments:
Does Music Critic Twitter refer to all of Twitter as one music critiquing entity, or the areas of the Twitterverse inhabited by music critics?
Also, man, the Rick Moody and Dean Wareham piece was ridiculously engrossing, but has Rick Moody ever considered that maybe not everyone is interested in making music with a “human” feel, or “soul,” or, rather, that just because it’s something that he personally doesn’t like doesn’t actually make it invalid as art? At some point he seems to grasp this (and not that his other points aren’t interesting), but goddamn, it’s just a different artistic expression dude.
Regarding the Lorde thing, I am legit curious how much someone from New Zealand understands American race relations, and how much we expect them to understand. Not that the point about the race/class issues of this are wrong by any means, but I’m not under the impression that many Americans know much about the concept of white (or male, straight, cisgendered, etc) privilege, so I’m curious how reasonable it is to expect someone from another country to understand it… much less a teenager. Hell, I live in the US, I’m almost twice her age, and try to be pretty mindful of that sort of thing, and those points totally flew by me until I ran across an article about it. For me, it was initially more of a statement about the capitalist desire and images that our entertainment industry projects. But who knows! Maybe people in New Zealand understand our history and race relations better than I would expect.
…maybe the tl;dr summary of this is: Has she talked about this in interviews by now, and does anyone know what she has to say?