Jesu did the Motörhead thing too - Justin named it after a Godflesh song.
Also any Atari Teenage Riot song could be in their spot because they are never not mentioning their own name in their stuff
Everyone knows this is the album that came most original in 2011:
http://upload.wikimedia.org/wikipedia/en/thumb/f/f2/311-UniversalPulse(2011).jpg/220px-311-UniversalPulse(2011).jpg
If you analyze the lyrics, you realize that this song is the key for the entire series so far. D-Roc and Kaine represent Jacob and MiB.
Let me see you make that pussy fart
This refers to the Cave of Light - by imploring the listener to "make it fart", the Twins are taking the position of the Man in Black. He has seen the Cave, he knows its potential, but he doesn't know how to unlock it. This is why he's pleading for you to show him how to do it, so he can harness this Light from the Cave
good lord make it shake like a salt shaker
Like the Pearl, and the Incident before, the island shook to its core, and much like a salt shaker, its energy was poured out.
to hard get it up to you can't ugh no moe
But, the energy is too great to be released in that manner, once you let it out, it's hard to contain, and it might all get released
see I love when you hoes take it to tha floor
Of course, when Fake Mom killed the village, Man in Black was angry, but Jacob? Jacob didn't really see a problem with it. In fact, he might have enjoyed it.
baby bounce biggy bounce ugh it's on you
Since the children were at the core of the Island's destiny, what could it mean for Aaron and Ji Yeon? Could the fate of the Island be on them?
shouty you can twurk in your skirt if you want
There is deeper symbolism in this line - Fake Mom wore a sarong type skirt, and she definitely did her work while wearing it (killing the village, protecting the island, etc). But looking at the sarong itself, those type of garments come from the Southeastern portion of Asia. Looking further into the methods of sarong production, they are traditionally dyed using a resist-method, thereby making a pattern. Much like her blindfolding of the boys was a metaphorical wax-resist, to keep their minds in a certain pattern, so the dye of their curiosity would not seep into the areas it was not wanted.
to see we came to keep it crunk for ya all night
This is a more direct reference to the smoke monster. He represents darkness, night, evil. In a way then, he is trapped forever in an endless night.
put a dub in tha club show me what I like
Dub represents 20, mainly, $20. One of the Numbers is 23 - when you remove the 20 by placing it away from your person, you're left with 3. 3 could represent the mother and the two "sons". Or it could represent Jacob and Man In Black and the Island. In this way, the Ying Yang Twins encourage you to seek out the true meaning of the relationship to the Island.
call for help, please! Just because your parents just don't understand doesn't mean that's the only solution. Sometimes parents suck, no matter how hard it is to come to that realization, but please, for the sake of your son, get some help, call an ambulance
i saw this fucking movie in the goddamn theater. Giant puke gum...ugh.
Also what the fuck they didnt even show the band in the end. So all that fucking build up about music and this band, and Michael Cera's band sounded halfways decent and then....nothing. WHAT THE FUCK NICK AND NORAS INFINITE PLAYLIST
i saw this fucking movie in the goddamn theater. Giant puke gum...ugh.
Also what the fuck they didnt even show the band in the end. So all that fucking build up about music and this band, and Michael Cera's band sounded halfways decent
if they believed in the one true savior this would not have happened to them these heathens
obvs, this is who i'm talking about
http://i41.tinypic.com/29bbvci.jpg
ext: sandy beach just inside the treeline. daytime. Locke and Jack are sitting at a tree, looking out onto the beach.
Locke Monster: Jack, remember when I said that we needed to catch up..? (he moves slightly closer to Jack, but not so close as to let Jack know what's up, because Locke's sly like that)
Jack: Yeah..? (he closes his eyes and does the "I'm about to cry but not really, bro" face he makes)
LM: Well, that's not all we needed to catch up on. (He places his hand on Jack's thigh)
J: ..?
LM: Don't be afraid. You don't have to be afraid any more. (he moves his hand slowly upwards, towards Jack's waistline)
J: Well, fear's sort of an odd thing. When I was in residency my first solo procedure was a spinal surgery on a sixteen year old kid, a girl. And at the end, after thirteen hours, I was closing her up and I, I accidentally ripped her dural sac, shredded the base of the spine where all the nerves come together, membrane as thin as tissue. And so it ripped open and the nerves just spilled out of her like angel hair pasta, spinal fluid flowing out of her and I... and the terror was just so crazy. So real. And I knew I had to deal with it. So I just made a choice. I'd let the fear in, let it take over, let it do its thing, but only for five seconds, that's all I was going to give it. So I started to count: one, two, three, four, five. Then it was gone. I went back to work, sewed her up and she was fine.
LM: Well, this time, it's going to be like that, but instead of spinal surgery, I'm going to insert this coconut inside of you. But out of love. Shhhhhh...
[end scene, fade out to Kate being blown up by a mortar]
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