David Glickman

Comments from davidglickman

The thing is, Meredith Graves has spoken to not wanting her vocals to be loud and clear, as to overtake the track. She wants them to meld with the rest of the track. Those buried vocals are what allow the sudden burst of clarity at the song’s center with the line “since when do we say yes to love?” that much powerful. I think part of what makes Perfect Pussy so great is the capacity to detect the emotions contained within the songs, in spite of & thanks to the chaos that swarms around them. Plus, tell me how it is not awesome when the song explodes during the second half and the vocals are crashing into each other.

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February 25, 2014 on Perfect Pussy – “Interference Fits”

I thought for sure Perfect Pussy’s “Driver” would make this list. I wasn’t the only one in thinking it was amazing, was I?

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January 17, 2014 on The 5 Best Songs Of The Week

There is nothing I nitpick in this article besides Breihan saying “The Suburbs” was better than “Funeral”. That just in no way could be true.

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October 25, 2013 on Premature Evaluation: Arcade Fire Reflektor

First person to say “This album is perfect/this album sucks” before the hour has passed gets a bonk on the head.

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October 24, 2013 on Stream Arcade Fire Reflektor

This is perfect in every possible way.

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October 21, 2013 on Perfect Pussy – “I”

I would definitely say to give “Hello Sadness” another listen. I know what you mean by it being different, but speaking with the bias of a super fan, I would say it really grows on you, especially the likes of “Life is a Long Time” & “To Tundra” (see also the very excellent non-album “Tiptoe through the True Bits”). However, after hearing this & “What Death Leaves Behind”, I am beyond excited for this album. I feel like it’s going to have the spark that was in “Hold on Now, Youngster…” while balancing it with their new sound. I mean, this stuff is just spectacular.

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October 8, 2013 on Los Campesinos! – “Avocado, Baby”

I will never be able to listen to “Like a Friend” without thinking of the Venture Bros., and I am completely ok with that.

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August 8, 2013 on The 10 Best Pulp Songs

I know they got a honorable mention by Michael, but I can’t be the only one who thought Iceage’s “You’re Nothing” was one of the greatest albums of the year, right?

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June 4, 2013 on Stereogum’s Top 25 Albums Of 2013 So Far

The thing is these people haven’t done anything to make up for what they’ve done, no desire to repay in a social form for the harm they’ve inflicted, not even a proper apology for their crime. They hurt people, in real, tangible, scaring ways, and simply because they make something we enjoy, it should be OK to support them and what they make? I’m sorry, but I have to disagree. Simple making something enjoyable or interesting or great should not excuse actions, and we should hold people like Chris Brown or John Paul Pitts to the same standard that we do anyone else who commit these actions. Maybe once they begin to repair what they’ve done, to remove themselves from their actions, we can go back to appreciating what they’re making. But to throw up your hands and say something along the lines of “These things happen, and we should allow for the split between art and artist to allow for it”, to me, seems wrong and akin to avoiding the issue.

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February 13, 2013 on Deconstructing: Chris Brown, Surfer Blood, And Villainizing Entertainers

For those who don’t know, Shawn Reed runs the awesome tape/vinyl label Night People, and toured the country as part of Raccoo-oo-oon, so he is a very viable source on understanding the dynamics of the indie underground, and the networks that keep it together.

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January 30, 2013 on Deconstructing: How The USPS Is Killing Indie

See, as wonderful of a moment that “Slanted and Enchanted” captured, it really is the music that makes it so special. There is a reason that they are able to post the first half of the album on here, and it not seem unnecessary. While there is a sense captured listening to a song like “In the Mouth of the Desert or “Perfume-V” along of the lines of ‘Wow, I can’t believe no one ever did this before’, it’s second to the thought of “Holy fuck, these songs are incredible!”

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April 20, 2012 on Slanted And Enchanted Turns 20

As unlikely as it is, I want believe Pulp played “Like a Friend” because The Venture Bros. used it in their season finale.

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April 10, 2012 on Watch Pulp Play Fallon

But isn’t that sort of the point? I mean I love the album, and I get a very somber/serious vibe to all the songs. So shouldn’t the videos match as a visual representation to said vibe or sound?

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October 27, 2011 on Youth Lagoon – “17” Unofficial Video

Well, he actually did ask the crowd to call out requests. I don’t think they were trying to be bossy.

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October 5, 2011 on Watch Jeff Mangum Play #OccupyWallStreet

Anyone else getting Bjork vibe, at least in the vocal delivery?

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September 16, 2011 on Atlas Sound – “Te Amo”