If anyone has a complaint about this cover, it’s Bruce Motherfucking Hornsby, not Don Henley.
Good thing that Josh Klinghoffer made it into this super-serious Hall of Fame though, right?
“Tomorrow Never Knows”
I lost it the second time through “I Can’t Live Without My Mother’s Love” when he hit the line “but mostly I’ll miss being able to call her and talk.”
Befitting its writerly nature, this album rewards multiple listens in a very literary sense: you start picking up lyrics that reference the events and subjects of other songs, and some very rich overarching themes begin to emerge from out of the disparate stories. Easily the most rewarding listen I’ve enjoyed in several years.
Or the continent of Europe.
Now that Live Nation is fully calling the shots, it’s probably unlikely that the first order of business will be inking an agreement to have U2 play AEG’s crowning festival.
The real howler in this interview is when she waxes jealous about Kony 2012.
Adore is easily better than both Pisces and Gish.
I still don’t fully understand why I’m supposed to care about Drake.
Tom, you’re crazy. I agree that “Reflektor” is a half-baked video, but Corbijn’s stuff is great, especially the early string of iconic Depeche Mode videos he did. Hell, he deserves Hall of Fame music video status if the only thing he had ever done was his video for U2′s “One”: