Josiah Josh Bohnsack
Took the fireworks (Letting Off the Happiness cover)
and the vanity (Fevers and Mirrors)
the circut board (1′s and 0′s of Digital Ash)
and the city street (I’m Wide Awake)
shooting star (Cassadaga)
swaying palm tree (Cassadaga and/or self titled)
and laid it at the arbiter’s feet. (whoever is listening or judging his music)
I have everything Conor has recorded since “Water,” in chronological order.
It is a sick obsession.
Nobody else really liked “You Are the Quary,” did they? “Come Back to Camden?”
I like this guy.
I lost all my respect for them at Bonnaroo ’11. Their sound quality was terrible, the vocalist played drums through most of the set (which made him inaudible), and thousands of dirty, drunk, stoned, rolling girls were crying over their astonishment of a terrible show. Their first album was pretty good, repetitive, but still ok. Mumford and Sons’ music is just overplayed and they haven’t progressed as musicians.
I’m working on Hospice by The Antlers.
Peter Silberman owes me lots of money.
Some people just do not appreciate the brilliance that is Deep Blue Something.
I’m a sucker for cathedral reverb.
“Right Away, Great Captain!” by Andy Hull’s Right Away, Great Captain! side-project.
Kesha AND Miley Cyrus? Some kid from Glee with Freelance Whales?
This is certainly… creative.