Would be stoked to win the Motorhead or Bad Brains pair. The Circle Jerks pair isn’t bad either.
A man with a great voice should never use autotune to excess like this. Bon Iver pull your head out. You’re not a robot version of Aaron Neville, you have a unique voice. Use it.
Too many bands, not enough fans.
I hope Bon Iver doesn’t ruin their great voices with excessive vocal fx like he’s done on his own recent records.
Can’pick a favorite. All of Abbey Road.
The Vultures of industry love a corpse they can market, but this is in bad taste to capitalize like this on an everyday object turned morbid by personal events. It’s not an instrument and it’s not in a period museum meant to honor Curtis, so what is it? An overpriced morbid curiosity item?
Isn’t this a cover song? “This ain’t no party/This ain’t no disco/This ain’t no fooling around.”
Black, Alive, Release, Better Man, Animal.
Madonna’s Pool Boy still frontin’? “Jesus ain’t down with Yeezus, but neither is Ol’ Scratch/Dog jus’ be humpin’ to get Ciccone snatch.” –Li’l Kribz
I prefer the pre-Joe Walsh albums for their mellow country flavor. So, “Peaceful Easy Feeling,” “Take It Easy,” “Lyin’ Eyes” and “Witchy Woman.”
Move away from the Bros. Gibb, please. There’s too mucn of this faux-disco out there today.
Aaron Neville wants his schtick back. When’s this dude gonna start covering Billy Ocean?
“The Obvious Child”"
Perfect Day, Heroin (but, I hate heroin), Romeo and Juliet, Last Great American Whale, Satellite of Love…
Good Vibrations, God Only Knows, Surf’s Up, Sloop John B, I Just Wasn’t Made for These Times
Bad songcraft, as exhibited by the awkward way the phrasing plays out here.
All of “London Calling,” except “Lovers Rock” “I live by the river…”
Utter crap, even if it was used as a backing track. Why press this on vinyl?
Too much reverb.
Probably Abbey Road because it flows perfectly from start to finish and sounds like an intentional and continuous song cycle.
Probably “One Flew Over the Cuckoo’s Nest” or “The Shining.” Neither film’s entirely true to their in-print antecedent, but Jack Nicholson’s Randle McMurphy and Jack Torrance add vivid dimension to the characters. And, Milos Forman and Stanley Kubrick’s masterful direction also raise the bar.