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oneskinnydj
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I think some bands make songs to purposefully be mashed up with Art Of Noise.
It Was Said That A Young Man On A Laptop Would Come And He Would Take All The Coldness & Darkness and Individuality Out Of Dubstep. That He Would Deliver Warm Formulas For Making Wet Teenage-Panties And Even Do Remixes For Korn and Maybe Lady Gaga. The Legend Also Says That This Wubble-Clack Prophet Would Receive Accolades From The Grammy Committee And Save The Environment With An Album Released On Corn-Based Plastics. I Believe That Young Man Is Skrillex.
A lot of artists have adapted quite a few formulas from the Lady Gaga marketing handbook, but I don’t think acting weird or doing unusual things makes an artist any less Pop. Sure, I was taken back by the Tyler the Creator Video and The Hype surrounding the album, just like Die Antwoord, too, but after listening a few times the gimmic-y-ness of the music and the interesting videos seem more or less as shallow as the lyrics. Sure, the eighties breed a similar “individualistic” “unique” aesthetic to pop music, but that music was actually fun, poignant, timeless and thoughtful. It just seems like after a lot of exposure to this new brand that it’s very superficial and forgetful after the introductory awe has gone away.
“Swap-meet Sally”? I thought these lyrics sounded dated… I thought it was because they’re so old.
Kate Bush.
Normally I’m very anti-cult, however, these sirens has a certain charm, albeit a very Coco-Rosie – al Rainbow Warriors (even the video for this track OMG has similarities). But I’m a boy who has a thing for girls who front bands, regardless of their obvious influences that trace back to a single source. Of course, the song is catchy, too.
I Think Lollapaloosa has Coachella Envy and Is Just As Confused About Music As Its Demographic.