Comments

i remember the first pair of hispanics my mom bought me. they were from sears as i recall, and they had reinforced knee patches on the inside. memories...
" ...I thought to myself, brain-shaking my mind-fist at my mom...." perfect. you could bottle this and sell it.
Heathers, yes... wasn't the pool floatie thing kind of Heathers-ish? and also Little Murders meets the Bucket List. I don't care if you call it dark comedy, black comedy, whatever, that trailer alone was absofucking cathartic! If they can keep up the pace for 90 minutes, this thing will be a national treasure. ( just nothing like the actual movie, National Treasure, of course.)
you-jeff-- oops-- you forgot about the triune god, the trinity, the 3-in-1 shamrock aspect. that was st. patrick's whole deal with the irish.
yeah, Spaceprophet-- you haven't lived until you've played "Passover Bear" (blue and white, natch) to the delight of all the goys and birls.
can i call cross-dressers 'dragsters?' 'cos i'm gonna. i like the way it sounds. and i like the image in my head when i think about the hot rod magazines of my youth.
go you. go spalding gray. but the movie? ahh, not so much.
re. tone et al.-- what if it hadn't been a graphic novel to begin with and were just a movie? i could see it getting an even harsher reception then. however, viewing it as a translation to screen, i am reminded of how much i liked tim burton's Batman Returns, as it seemed the most like a comic book of any translation then or now. this really isn't a defense of AHOV, though, as i am not settled on the source material even-- just an examination of how a movie might have a tone that only makes sense within the context of familiarity with a certain medium.
okay, that explains a lot. i watched it straight and am ambivalent to the stoner genre-- raised on cheech & chong, and of course was straight while watching those, too, as i was, oh, say-- twelve at the time. that was family viewing for us, so stoner humor was just regular humor to me (see also: richard pryor in general and steve martin on comedy albums-- dirty! and long before parental warning labels-- good times!)
that's weird. i read a shit-ton of calvin trillin as a child, yet i never knew he was in a travolta movie! something for everyone, i guess.
what's wrong with Smiley Face? do you just want to see Gabe's review, or did i miss the Worstness?
Mans, i will consider you to be my official spokesmonster on the matter of "the walking dead." i can go back to lurking and and barely paying attention while you keep making sense.
"dead set" was short and sweet and funny; "the walking dead" just SMELLS funny*. *depressingly-to-horrifically misogynistic, depending how far into the story you go.
http://www.npr.org/programs/morning/features/2006/aug/race_series/juan_williams200.jpg
these guys agree: http://i54.tinypic.com/dvq8f8.jpg
"there are some serious deficiencies in the characters/sexism department"-- yes: http://mindlessones.com/2010/10/28/notcomics-walking-dead-episode-1/ -- the show is still misogynistic but will it get as bad as... http://absolutewrite.com/forums/showthread.php?t=57306 (?) the tone was established early on and sustained throughout enough that i knew i'd be putting up with the he-man-woman-hater's-club if i were to continue. this fact relegates it to the type of show that's on if i have to get shit done and not watch TV, but hey, the noise helps me look up once in a while to keep track of the time-- thanks, TV!