This kid in 10 years: "Nah, that's not me; must just be someone who looked similar when we were younger."
Mom in video: "That was Timmy Dumont, singing Bad Romance."
This kid in 10 years: "Dammit."
"I resent the sacrilege Sean Hannity commits by even mentioning himself in the same sentence as other douches. I would not even allow him to say “Hello, douchestore? This is Sean Hannity. Could you send over a new douche?” He should show respect by ordering anonymously."
Upvotes for mentioning the "troll toll", the only way to get into "this boy's soul"...
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My GIF post this week was my first ever; glad I could get an enjoyable one in before the #VforVgum / GIFgate 2010 movement took form. That being said, I can see where people are coming from on both sides of the discussion. As long as I've been here (a little over a year, but still I can remember when basically only Kenny Powers regularly posted pictures), the comments sections of various posts have seen a healthy split of genuine discussion / commentary, and fun in-jokes and references. Both of these things are fantastic, the latter often bringing the LOLs to an even fuller extent than the former. However, this divide has moved drastically in the direction of this second, more crowd-pleasing type of comment since the inception of the Monster's Ball segment, which I think is part of what the #VforVgum movement was wetting their Poise Pads™ about. Anyway, I love the comments one this site, and agree that this solution is fair, and will probably encourage even more quality commenting in the future.
It's been an alright week; Spring weather plus a Sawyer episode had me feeling pretty good. These guys know what I'm talking about:
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Richard episode next week!
I haven't seen many movies with Sandra Bullock in them, so I'm going to go ahead and assume that this GIF is from the scene in The Blind Side where Big Mike isn't allowed on the plane without purchasing two tickets. Tragic.
If I had a nickel for every time someone used "In fact, I can't get over Kiki's mom" to avoid a relationship with me, I would have several nickels; MLIFXC.
We should definitely keep talking about this; there is no question that unlocking the mystery of the banana leaf will be the key to the entire show. I'd really just like to say that I thought it was a perfectly fine banana leaf last night too; I wasn't even bothered by the temple set until reading these reviews. That being said, if the biggest problems with a show are aesthetic and relatively minor, I'd say it's a pretty good show.
It was called a banana leaf when Ben offers Miles money again, and Miles responds with something to the effect of "are you just going to write me a check on this banana leaf."
If one of them had a Behold II (available exclusively at T-Mobile), they could just call home and get someone to come pick them up, or at the very least enjoy one of its many other features while they waited.
Complaining about articles that have no actual bearing on how you choose to remember someone in overrated, shutting up about it and moving on is sadly underrated. That being said, good article, sad news, great music.
BEST PICTURE
- The Hurt Locker
ACTOR IN A LEADING ROLE
- Jeff Bridges, Crazy Heart
ACTRESS IN A LEADING ROLE
- Sandra Bullock, The Blind Side
ACTOR IN A SUPPORTING ROLE
- Christoph Waltz, Inglourious Basterds
ACTRESS IN A SUPPORTING ROLE
- Mo’Nique, Precoius: Based On The Novel ‘Push’ By Sapphire
DIRECTOR
- Kathryn Bigelow, The Hurt Locker
SCREENPLAY (ORIGINAL)
- Inglourious Basterds, Quentin Tarantino
SCREENPLAY (ADAPTED)
- Up In The Air, Jason Reitman & Sheldon Turner
ANIMATED FEATURE FILM
- Up
MUSIC (ORIGINAL SONG)
- “The Weary Kind (Theme From Crazy Heart),” Ryan Bingham for Crazy Heart
MUSIC (ORIGINAL SCORE)
- Up, Michael Giacchino
ART DIRECTION
-Avatar, Art Direction: Rick Carter and Robert Stromberg, Set Decoration: Kim Sinclair
CINEMATOGRAPHY
-Avatar, Mauro Fiore
COSTUME DESIGN
-Coco before Chanel, Catherine Leterrier
DOCUMENTARY (FEATURE)
-The Cove, Nominees to be determined
DOCUMENTARY (SHORT SUBJECT)
-The Last Campaign of Governor Booth Gardner, Daniel Junge and Henry Ansbacher
EDITING
-Avatar, Stephen Rivkin, John Refoua and James Cameron
FOREIGN LANGUAGE FILM
-The White Ribbon (Germany)
MAKEUP
-Star Trek, Barney Burman, Mindy Hall and Joel Harlow
ANIMATED (SHORT)
-A Matter of Loaf and Death, Nick Park
LIVE ACTION SHORT
-Miracle Fish, Luke Doolan and Drew Bailey
SOUND EDITING
-Inglourious Basterds, Wylie Stateman
SOUND MIXING
-The Hurt Locker, Paul N.J. Ottosson and Ray Beckett
VISUAL EFFECTS
-Avatar, Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
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