In 1959, Ornette Coleman released The Shape of Jazz To Come, a record with content almost as audacious as its title. Forty-seven years later, Coleman at least partially fulfilled his own challenge with the fearless and fertile Sound Grammar. But even that 2006 effort might not have crossed jazz boundaries as much as one from… More »
Not all of Stereogum’s favorite sounds conform to what folks expect us to cover. In this space, resident Bananafish fetishist Brandon Stosuy focuses on bands, albums, singles, and villages in Sweden that may otherwise pass by unnoticed. This week’s eclectic virtual milk crate contains the best weirdo albums of 2007.
It’s rough putting your… More »