Over two albums (2007’s In Advance Of The Broken Arm and the following year’s This Is It And I Am It…), Marnie Stern’s stamped (and tapped) out an instantly recognizable, highly technical sound blending Eddie Van Halen-styled guitar shredding and post-Sleater-Kinney punk vibes. She was profiled in a 2007 New York Times piece profiling an influx of virtuosity in female-fronted ...