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I mean it's mostly just demos and alternate studio takes of well-known songs, you know? But for certain Beatlemaniacs any new sliver of audio means something.
Yeah, I mean I didn't want this to turn into a rant about church as country club, but I'd be happy to rant about that in another context. I figured there was already enough theology for what's ostensibly a music article.
And yeah, re: black worship music vs. white Worship Music™, so much of the classification around Christian music has to do with packaging, target market, social networking, etc. And race certainly factors into that.
The Sanneh article actually points out that the extreme focus on lyrics has allowed underground Christian bands to get pretty damn weird, musically speaking. Not the massive arena-filling stars, but bands that tour church basements, DIY spaces, etc. In addition to the Christian version of popular artists X, Y, and Z, I remember a lot of bizarre outlier bands once I started getting into more underground Christian stuff. Not that weird necessarily means good, but I do think somebody out there is probably making dope-ass Christian noise rock.
Both adjectives are objectively true of each guy — they were extremely divisive, and they both died young in horrible ways — so I am not really sure what your objection is here
I think he's saying technically the Antebellum era in American history runs from the Revolutionary War to the Civil War. But antebellum more generally refers to any period before a war, so I'm not sweating it.
No, the question isn't the last time you personally listened to Ye or Kids See Ghosts, it's when was the last time you heard it on the radio or otherwise out in public?
Anyway here's more content on this artist we have conspired to blackball out of the music industry by refusing to cover https://www.stereogum.com/2014214/yves-tumor-essential-tracks/franchises/sounding-board/
