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I've seen the trailer for this movie so many times now and it still looks fucking awful
This just sounds like a worse version of Post Malone with more twang
This is...just...what the fuck? Everything about the video scans as some kind of mediocre SNL gag. The person covered head to toe in masks! All the weird goofy shots with Jimmy Fallon! None of the three of them actually wear a mask at any point in the video! What the fuck?????? But really, who the fuck is this for? Does someone actually think this is going to catch on with people and get air play? Is this supposed to convince vaccine skeptics to go get their shot? It is all just... WHAT THE FUCK!?!?!
https://i.kym-cdn.com/photos/images/newsfeed/001/880/651/374.png
Not really sure why exactly KLM would be preventing her from sharing more details of what happened. She says it is "painful" to be silenced like she is, but who is silencing her? Surely KLM doesn't wield that kind of power, lol
Is it clear that he feels terrible about it? Offering to pay for funeral services does not mean that he actually gives a shit.
I am devastated that they aren't coming to Dallas. Might have to make the drive down to Austin.
Well this is the best thing I've heard from them in a long time.
By the way, if anyone wants a more realistic look at football hooliganism in the UK, check out The Football Factory.
No idea if this is unpopular or not but Christmas music is, by and large, fucking dreadful schlock and I'm not surprised there aren't any recent Christmas standards.
Probably just depends on how you're classifying pop music. If you're talking about stuff in mainstream pop conversations, yeah, it is certainly unique.
The last track on 30 has the lowest number of streams on Spotify. It has over 7 million streams.
laughing my ass off at how horrible Chris Martin's vocal performance is in that video
Gonna be hard pressed to find a song more fun to sing this year than Smokin' Out the Window.
Sometimes I feel like a lot of the recent gender conversations have reinforced gender roles more than ever. It doesn't seem that long ago that the goal seemed to be to basically eliminate gender roles entirely but now everything seems to be hyper-focused on gender and specifically on what makes one a "woman" or "man"
This is unfortunately pretty common when you're talking about relatively mainstream artists that have audiences that are pretty young. They are there to see the headliner, they don't care about any of the openers and they lack the respect to be an adult and not boo someone for not being someone else. Booing an opener has to be the dumbest thing ever. Do people not realize that in a lot of cases the headliner WANTS that opener to be there opening for them?
I loved this album as a 19 year old when it released. It is a bit cringe looking back but I do still think some of these songs have merit. Heartbeat in particular is still a great song IMO. That 1.6 Pitchfork review was always pretty ridiculous, pretty clearly meant to grab headlines and attention for P4K.
I'll still hold Section.80 up with any of his subsequent material. It has a few more missteps than his later work of course but the highs are just as high.
What an absolute tragedy. I can't even imagine the horrors this boy's father went through and the incredible amount of guilt he must be feeling. RIP Ezra Blount
Let that woman search for the lizard people in peace.
It is pretty incredible that SVU still manages to be watchable after all these years
I was a bit older than you when Rock Band came out but it absolutely was instrumental in moving forward from basically only being into classic rock
Good article Tom and I largely agree with it. I think the blame largely falls with the festival organizers first and foremost. The individuals working on the staff that night certainly deserve some blame here as well and I don't think the City of Houston should be let off the hook either, especially when they were aware of the large numbers of people who entered the venue without a ticket but waited far too long to take action to shut things down. But I disagree with basically letting Travis off the hook here. I understand and like the comparison to the Woodstock '99 situation, but the difference is Astroworld is a festival, quite literally, made in Travis Scott's image. It is named after one of his albums and is completely and totally associated with him. And although he does deserve some credit for trying to instruct security in that one video, he also deserves a fair share of blame but not shutting his concert down. I know that's an extremely difficult decision to make but he didn't even attempt to do something like throw the lights on and tell everyone to calm down and look after one another to try to get things under control, he seemed more than happy to keep his show going until he was forced to stop it. Yes, I agree that anyone who is primarily blaming Travis Scott and especially anyone primarily blaming the actual concert-goers themselves are well off the mark but I don't think we should be absolving Travis Scott here. This is going to have a significant impact on his career.
That Tiny Desk performance, the whole thing really but "2009" in particular, is one of my all time favorite live performances of any artist regardless of genre. It certainly took on additional weight after his passing but even without that context, it is a marvelous performance. It is tragically and devastatingly sad that Mac was taken from this world when he was, he was a true talent and a true artist and an incredibly likeable person and human being to boot.
Good. Now let's get some criminal charges going for some of the people involved here.
Left Hand Free is the best Kings of Leon song since 2007
This band is fucking awful. They got popular near the end of my time in high school at the end of the 00s and I was subjected to their shitty knock off Blink 182 songs far too many times.
I'm excited for this. I was in my senior year of high school when the first Man on the Moon came out and it is hard to describe just how important it was to me and to a lot of people I knew. I think some of the reassessment of Cudi's early output has already started happening but in another decade I do think that his first couple albums are going to be looked at as defining moments in the evolution of hip-hop. Man on the Moon II is incredibly underrated and I think is his best work that he (sadly) is probably never going to top. It is sad that Cudi is a guy that struggles with his self-image and confidence and feels like he doesn't belong because I truly think he is a unique voice and his willingness to experiment (that rock album is dreadful but I will give him tons of credit for having the balls to make an album like that when NO ONE wanted that from him) sets him apart from most of his peers.
Amazing how much shittier the acoustic version of "Sex" is compared to literally any of the normal versions
lol pitchfork really gave the zack fox album a fucking 3.6. what a bunch of dorks
Hot take: Skyfall is Adele's best song
fuuuuuuuuuuuuuuuuuuck this is gonna be so good