Hm, I dunno. I think services like Spotify are stabilizing the way that people at least consume music. I'm not sure the user end is about to be disrupted.
I actually don't see how this is like 1901 or Lisztomania. It has keyboards? It's way louder and (intentional, I'd say) messier than those two tracks, and the melody/"China Girl" keys are pretty different too.
"This may be strawmanning, but their popularity seems to bespeak a deeply problematic white-people longing for a Depression-era simplicity that probably never existed."
I like this essay, and I've got mixed feelings about the band, but I absolutely hate this painting of folk as some white-man nostalgia thing. I don't enjoy folk because I want to go back before civil rights. Is it wrong to enjoy certain sounds and instruments, or to appreciate nods to history and our culture?
I saw this comment back when Jack White's "Blunderbuss" came out, and I still hate it.
Well, My Bloody Valentine also happens to create very immediate sounds, I find. I quickly feel emotion while listening to them. It's not like I've got to parse through the lyrics to get what they're after.
I think this list is unfair to The King Of Limbs and In Rainbows. The perceived drawbacks seem to be drawn from what a "Radiohead"album is expected to sound like.
It's also hard to judge them because of their sense of newness. OK Computer, Kid A, and The Bends are absolute classics. It's near impossible to argue otherwise.
It's similar with Hail To The Thief. Had this list came out 5+ years ago, I doubt anyone would be rating it higher than The Bends.
Music as a way of paying the bills.
It's really easy to be indignant about these select comments if you don't at all try and empathize with them. The "my life is harder" stuff ignores the point. It doesn't justify that many artists aren't given their fair share.
This incarnation of Bon Iver can be fantastic live, but I think sometimes all of the moving parts can make some songs messy. I thought Beth/Rest was like that..
Loved them when they were touring the Blood Bank EP, they were tight as hell.
Josh Homme, the guitar machine. I think some people get wrapped up in technical guitar playing, but he lays out some great riffs. Heavy or melodic, you can't really go wrong with Josh.
Marnie, pretty danged good. I haven't loved her albums, but she was captivating live. It helps that she's easy on the eyes too..but it's hard not to walk away thinking "whoa"
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