The Week In Pop

Daft Punk Charted Pop’s Future Then Rewrote Its Past

Between Billie Eilish And Olivia Rodrigo, There Was Tate McRae

Even Without Real Answers, Framing Britney Spears Communicates Dark Truths

Ashnikko Is A Lot

What Will Be The Impact Of Olivia Rodrigo’s “Drivers License” And Its Historically Massive Debut?

Morgan Wallen Is Primed To Become Country’s Biggest Crossover Star In Years

The 2021 State Of Pop Address

The Top 40 Pop Songs Of 2020

Wonder Has Me Wondering If Shawn Mendes Is On The Verge Of A Creative Breakthrough

Miley Cyrus Rocks, Finally

On Their Pointedly Chill New Album, BTS Are Mostly Content To Just BE

Harry’s Style May Be Progressive, But His Music Is As Conservative As It Gets

AJR’s Prolonged-Adolescence Pop

Sam Smith’s Voice Deserves To Be Turned Loose On A Much Rawer Breakup Album Than Love Goes

Sam Smith

It’s Not Even Halloween And The Christmas Albums Are Already Pouring In

Carrie Underwood

“Lemonade” And The Rise Of Internet Money

Internet Money