Find Me On:
hasn’t q-tip worked on the last 3 lp’s? no beats on the final release. john stossel.
No comments?! Loving the vibe, loving the artwork aesthetic, love the jazzed ‘loons. Ya hear?
Ms. Frizzle was a FOX.
And with that “Ms.” So progressive. I’m on fire here.
Hard to jerk your goose on a board #skill #style #goose #gerkin
MarshMALLOWS? Get some pecans up in those sweet ‘tatoes, and get your mind right – ya hear?
Can we assume Morrissey was the “dogmatic asshole” that sent Grimes that message?
This is a great time! It’s like when Weezer wasn’t shit and would put out amazing albums and b-sides. CAN I GET A “YOU GAVE YOUR LOVE TO ME SOFTLY” UP IN THIS MOTHERFUCKA?! AHJAYA.
Reductio ad Bealteum
Show me the quote, because I’m seeing a total lack of logic here.
DEATH TO DRUM PROGRAMMING.
What is happening here? And not just here, but this general trend we’re seeing. I’m over at p4k watching videos of Darkside live and I realize that I’m watching a guy “play” (short of) a guitar while Jaar plays a volume knob with a smile so satisfying that the knob must have been nicely cushioned in order to avoid blisters (i.e., Knob Blisters *wink*). These are not exquisitely intricate percussion arrangements, which I suppose could be an argument for the use of the machine. But not really – it makes the performance suffer. I’m a little stuck on this Darkside Metatron performance, but only because it is so representative of this issue. And it really is an issue. It’s cheap, and it’s lazy. Here it is again with this Chvrches performance; there’s something about a grown man reacting to triggering drum/whatever samples like he’s just burnt his hand on the stove that screams “bullshit.” Hemsworth is guilty of this playing the board like you’re curing cancer trend “WHOOOO PRESSED A BUTTON!!!!!” – it’s samples, guys. I’m not excited, you’re not earning it. It’s not really impressive as a performance piece. It’s all great on record and I love Hemsworth’s taste, but to watch this stuff live is ridiculous. It’s like if the DFA whiteout sessions were called a live performance.
Disclosure is kiiiiiiiind of better, but instead of someone actually killing it on the drums, we get one of the twins banging out synth samples with drum sticks? Why? If I want to see a beautiful blonde child staring there, I’ll rent children of the korn, thanks very much.
Play the damn keyboard and hire a drummer. James Blake does it, and it makes for SUCH a more satisfying performance. You have to earn hitting that groove perfectly, and when it fails or is at least somewhat off or charged or something it gives the human feel. You feel me?
I don’t want to do this, but it’s John Stossel city:
and I’m out.
I work too hard for this shit.
I shit hard and it’s work.
I work for hard for this shit
I work too hard to this shit.
congrats, you four-eyed fuck
I love you, Tom.
It’s better without the Young, yung.
Anything to push back that Blur album, EH DAMIAN?
“You know what’s cool – A ZILLION DOLLARS”*shitpoursoutmouth*
All I feel is Korn, and I know that that’s wrong but it’s what I feel and that makes it right.
And I hate Korn (minus dub-Korn, of course).
Exactly, you four-eyed fuck