
|
Anthony Lombardi
|
Comments
i love you, justin, but…um…didn’t i see you on a bushmills ad in the subway?
the anthology demo of “nobody loves you (when you’re down & out)”
“drive-in saturday”! come on now. sci-fi doowop.
love these guys — first album had alot of potential, but the new one blows the doors open, whole thing is terrific.
one of my favorite bands / albums of 2010. interviewed miss burhenn at her bell house show in june, she’s such a sweetheart.
2010 just keeps getting better. had no idea nina was releasing a new album. stoked for this.
oooh rufus <3
digging this lots
most underrated band of the 1990s. not a bad single — missing the neo-psych flourishes of tiny music & parts of purple, & this falls more in line with the melodic hard rock of no. 4 — but it ain’t bad.
devastating loss. i was set to interview the band at their homecoming gig in memphis this may. i’m totally crushed. what a peerless, inimitable legend we’ve lost.
fuckin’ a. PSYCHED about this.
totally meant “past several years”
blah. i really adore this band — talking through tin cans is one of my favorite albums of the best several years, so i’m not some morning benders-hating kill-joy — but i agree with matarese, this album is REALLY underwhelming. i wrote the upcoming record review over at popmatters, & as much as i like the band & as much as i wanted to give it a high score, with the exception of the opening 2 tracks it really is on the whole underwhelming. there’s no hooks at all to be found, chu’s songwriting is cripplingly undercooked, & his entire artistic approach just seems totally at odds with chris taylor’s production – which, don’t let me be misunderstood, is dynamic, detailed & quite pretty, but doesn’t mesh well with the benders’ overall style & aesthetic. don’t get me wrong, i love these dudes & hope they receive oodles of success off of this album, i was just — as a fan — really disappointed.
these guys fucking rock.
love it. such a breath of fresh air in an indie scene so obsessed with being “relevant.” you can tell these guys really live & breathe this music & have a genuine affection for the era they seek inspiration from.

























the fact this last doesn’t include tom waits is a travesty. get your act together, stereogum.