
Comments
The beat is OK – it’s not overly mainstream, which is good, but it’s not very interesting, which is bad.
The lyrics are a bit better – he sounds a bit like an old guy complaining about the music of today, but he has a point and makes it well.
But the performance is the best: he stands there in front of an audience who probably love mainstream contemporary rap and basically tells them how s–t it is.
The only version I like (including the original) is the Phantom Eyes remix:
http://www.myspace.com/phantomeyes
http://www.mediafire.com/download.php?k2rnnqttzwf
But I’ll check out those more lo-fi versions at the website, as suggested…
Some of us do intelligently point out how derivative and relatively uninspired a lot of Indie music is, but generally what happens to us is that individuals who like a particular act will respond with unintelligent and thinly disguised insults like “If you think art can only be appreciated because it is original, then you will no doubt have a hard time appreciating art.”
‘Green Light’ the original is very good.
‘Green Light’ the cover is good.
“old-school in spirit” = ‘inoffensively retro and generic’, which is fine for some but not so much for me.
I, and others, find the repetition (which is probably what you find boring) and slow, subtle changes hypnotic and the melodic textures ethereal.
Maybe try listening to it as you would observe a colorfield or abstract expressionist painting.
Yeah…
That remix sounds terrible, as if the producer already had the backing track and lazily just stuck the M83 parts over it.
excellente
Do you have any links to his stuff?
All I could find was a video of him on M.I.A.’s site not doing very much…
“Really, Ganglians’ sound isn’t as easy to peg as some of their cohorts.”
How about ‘Self-consciously kooky/Disingenuous twee 60s-style lo-fi retro’?
That was quite easy.
I wouldn’t go as far as to say it’s “pretty generic” or that it reminds me of Lil’ Mama, but… yeah, it’s nothing too special. Just the same post-Baile Funk production M.I.A.’s been rocking for the last few years with an unmemorable rapper on top.
Come to think of it, that’s pretty much what you just said.
P.S. What up, Zo-Zo?
Maybe if people ignore Oasis they’ll go away.
… He’s just horrible.
In theory having an organisation pay to use your music to advertise something is not ‘selling out’.
But if your only reason for letting the organisation use your music is money, if you don’t believe in the product, if you think the product or the company are detrimental to others but you prefer to ignore this, etc, then yes, that’s ‘selling out’.
Via Google:
“Suddenly the world is upside down
Broken like glass
And the earth is shattered to pieces
In front of me, in front of me
And I’m burning and you will burn” – Celine Dion ‘Jours de fievre’
Is that similar enough to “it’s only a matter of time before we all burn”, which, by the way, is like a line from a 13 year old emo-kid’s poetry.
And as for videos about loss: ‘My heart will go on’ from ‘Titanic’? That has probably a similar number of cliches.
You’re a fucking idiot if you DON’T think that.
It wouldn’t take much to turn this into a Celine Dion video – the music is already bland and cliched, the lyrics are already juvenile and cliched, and the video metaphors are already awkward and cliched.
Just make the video live action rather than animated.
Damn! Someone from Crocodiles must be reading Stereogum because they just sent me a MySpace friend request with an ironic note.
Now I feel bad for being so harshly critical… I’ve learnt my lesson.
To set the record straight:
– Just because I generally prefer music that transcends genre it doesn’t mean that genre-based or retro music is bad; it’s just something that doesn’t excite me.
– I don’t think my MySpace music is very original; it’s idiosyncratic non-accessible ideas deliberately presented accessibly at best .
See you later, alligator.
In a while, Crocodiles.
Uhmm.. I thought the comments on this page were supposed to be about Crocodiles.
I mean, feel free to have a different opinion of their music than me (which apparently you do) or intelligently offer another opinion (which you didn’t) but referencing my music is irrelevant and doing so just to criticise it seems like immature retaliation because I criticised something you like (obviously you prefer unoriginal non-crap to original crap).
Hone your sensitivity before you put others down.
Thanks for listening to my music, though ;-D
She is one of the rare acts to be championed by Stereogum that I don’t think are utterly pointless.
In fact, I think she’s really interesting.
I listened to 27 seconds of ‘Neon Jesus’ before I could take no more.
It’s retro and generic not just because it rips off bands from the late 70s/early 80s, but it rips off bands from the early 90s that ripped off bands from the late 70s/early 80s (like Elastica, to name but one).
nothing makes sense anymore.
‘You Are Free’, ‘Speaking For Trees’ and ‘The Covers Record’ are, in my opinion, amazing works, but… yes, Cat Power is awful now and I get the impression she has no desire to soon return to the minimal style I adore.
Boring.
No need to hate.
There is music outside the world of Stereogum-covered musicians.
Complex like Stockhausen, John Coltrane, Albert Ayler, Pierre Henry, Edgar Varese, Xenekis, Ligeti; i.e. avant-garde classical and jazz.




























Sounds like http://www.youtube.com/watch?v=oE5JjQuabB8