makeitpop

Comments from makeitpop

That Ivanka can get it line made me chuckle
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July 20, 2016 on YG – “FDT Part 2″ (Feat. Macklemore & G-Eazy)
I'm just amazed that this is getting a pass. Kanye 1) blatantly sexually harasses a female artist on the track, 2) calls her a bitch, 3) takes credit for her career, 4) and then makes a video that depicts her naked in bed with him, while 5) he remains clothed, and then 6) dares her to sue him. If Donald Trump did this, we'd be calling for his head on a platter.
+8 |
June 25, 2016 on Kanye West Explains His Shocking “Famous” Video: “Matthew Barney Is My Jesus”
Who cares that Taylor is rich and famous? Who cares if she writes songs about breakups? What bizarre moral logic uses that as a rationalization for sexually harassing and exploiting her?
+13 |
June 25, 2016 on Kanye West Explains His Shocking “Famous” Video: “Matthew Barney Is My Jesus”
Since the release of Yeezus, every Kanye interview has convinced me that he has no coherent beliefs beyond his brand. Chris Brown/Rihanna is ridiculous, but Taylor is the one who gets degraded and humiliated in the song, so her nude appearance in the video is especially misogynistic.
+16 |
June 25, 2016 on Kanye West Explains His Shocking “Famous” Video: “Matthew Barney Is My Jesus”
And please don't tell me you honestly think the video's purpose is anything beyond building his own brand and creating controversy. Ye can say whatever he wants about Matthew Barney, this is cheap marketing disguised as art.
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June 25, 2016 on Kanye West Explains His Shocking “Famous” Video: “Matthew Barney Is My Jesus”
"Everyone" vulnerable? West got to choose how he was depicted in this video, Taylor didn't. At some point he got to make the call that she would be nude and he wouldn't.
+13 |
June 25, 2016 on Kanye West Explains His Shocking “Famous” Video: “Matthew Barney Is My Jesus”
It's blatant, unprovoked, public sexual harassment of Taylor Swift. The verse was already misogynistic and creepy (not to mention lazy), now he's taking it further by sexualizing her image without consent to promote himself. I used to love Kanye, but I can't defend this shit.
+19 |
June 25, 2016 on Kanye West Explains His Shocking “Famous” Video: “Matthew Barney Is My Jesus”
If any other artist did this, we'd be drowning in think pieces about misogyny and rape culture. Blurred Lines is like a feminist anthem compared to this.
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June 25, 2016 on Kanye West Explains His Shocking “Famous” Video: “Matthew Barney Is My Jesus”
Stereogum’s Senior Editor does not understand the business side of music. Someone explain that getting featured on stereogum's mixtape of the week isn't paying Lyor's overhead.
+10 |
April 14, 2016 on Young Thug’s Label Head Does Not Understand Young Thug
Also Tom, saying Lyor doesn't understand the current rap music landscape is silly. His business model hasn't changed for the last 20 years- turn out hits. Young Thug's mixtapes are only valuable if they eventually lead to a successful album and singles. Ask The Weeknd.
+14 |
April 14, 2016 on Young Thug’s Label Head Does Not Understand Young Thug
I think Lyor has a point. Sure, Thug is the underground rapper of the moment, but if he doesn't produce some actual hits, he'll just be replaced by a newer version of himself in a year.
+13 |
April 14, 2016 on Young Thug’s Label Head Does Not Understand Young Thug
Also, if this were some mixtape rapper on Passion of the Weiss's end of the year list, I'd be like, yeah that's cool, he's got a little potential.
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January 8, 2016 on Kanye West – “Real Friends” (Feat. Ty Dolla $ign) & “No More Parties In LA” (Feat. Kendrick Lamar) (Snippet)
I guess this is alright? I feel like Kanye has been allergic to making fully formed songs since 2013.
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January 8, 2016 on Kanye West – “Real Friends” (Feat. Ty Dolla $ign) & “No More Parties In LA” (Feat. Kendrick Lamar) (Snippet)
Any list of 2015's biggest music videos that neglects to even mention Hotline Bling is suspect. How could you not rank the only video that people outside of the shrinking music industry even noticed?
-1 |
December 16, 2015 on The 50 Best Music Videos Of 2015
I feel like it gets applied inconsistently on this site. If this were a Taylor Swift, Lily Allen, or Avril Lavigne video we'd get an article about how this is a "problematic" appropriation. Is there a reason this video is exempt?
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November 24, 2015 on CL – “Hello Bitches” Video
Not trolling, just an honest question from someone who genuinely likes CL and this track/video: How is this not cultural appropriation?
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November 23, 2015 on CL – “Hello Bitches” Video
what's sickening is that stereogum makes money from the ad's that are displayed alongside a video of people being massacred from 3 days ago.
+4 |
November 15, 2015 on Video Of Terrorist Attack At Eagles Of Death Metal Concert Emerges
Dear lord, what is the point of posting this?
+7 |
November 15, 2015 on Video Of Terrorist Attack At Eagles Of Death Metal Concert Emerges
to be fair, you could say that about any video, from any era.
+4 |
October 27, 2015 on MØ – “Kamikaze” Video
Turrell should sue for the video, Cha Cha guy should sue for the song, and tootsie pop should due for the owl logo.
+13 |
October 19, 2015 on Drake – “Hotline Bling” Video
Super weird that Big Sean gets a pass for a song where he calls an ex a "little dumb ass bitch" 20x and then releases a B&W video where he cries tender music video tears over a casket. Music crit is in a strange place right now.
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June 19, 2015 on Big Sean – “One Man Can Change The World” Video
All our best rappers right now are so scared of accidentally making a catchy song.
+10 |
April 8, 2015 on A$AP Rocky – “M’s”
Ready for the "album is actually kinda boring" honesty backlash to start.
+1 |
April 6, 2015 on Watch Kendrick Lamar’s New Reebok Commercial
gumshoe, a "topic for lecture halls or independent art spaces" is precisely what you're making this debate because you're ignoring the important practical question of HOW DO MUSICIANS MAKE A LIVING? We can talk forever about what an artist should hypothetically do or not do, but in the meantime real bills need to get paid. Challenging the status quo is great, but the argument isn't over what the most ideal imagined solution could be, it's about the best possible solution that actually exists. If Stereogum's content was something that readers were willing to pay for, there wouldn't be banner ads for Nike below this reply box. If Dev's music was something a large base of listeners was willing to pay for, he probably wouldn't be making gap commercials. So what's an alternative to corporate sponsorship? I'm sure if there was a more ideal model, we'd see content creators ('gum writers and musicians alike) embracing it. I think there's a major disconnect between the imagined reality of those who cry "sell out" and the actual reality of being a working indie musician. If you aren't familiar with it, I'd recommend reading this article: http://www.slate.com/blogs/browbeat/2012/10/02/grizzly_bear_aren_t_rich_new_york_magazine_story_reveals_how_even_indie_darlings_can_t_afford_to_live_like_rock_stars_.html
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November 9, 2014 on Watch Dev Hynes’ Gap Commercial & “Play Your Stripes” In The Interactive Game
I don't think it's possible for a working musician to view their music as purely "personal" or purely a "commodity". They have to see it as both, because it's their living. Unless they're fine with only pursuing it as a hobby or they have a trust fund, they'll always have to find creative ways to fund their music. Dev writes for major labels, partners with clothing lines, licenses his music to MTV melodramas, and plays at festivals that are put on and sponsored by huge corporations. And that's totally normal in 2014. 20 years ago a band could have lived off of royalty checks and advances from labels, but these days they have to get creative about where their rent comes from. "Personal" music like Cupid Deluxe doesn't tend to fund itself (I doubt the album has even recouped it's recording and marketing costs), so a musician like Dev has two realistic career options- start making music that's mainstream and radio-friendly, or fund your personal vision via methods like this. If you have a third option, please go into artist management, a whole industry of musicians needs your expertise! Also, if you don't see the irony of arguing about "selling out" on an indie music site that's covered in Target banners, fine. I think it's hilarious.
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November 9, 2014 on Watch Dev Hynes’ Gap Commercial & “Play Your Stripes” In The Interactive Game
Look, it sounds like you have strong feelings about corporations and consumer culture. I thanks that's laudable. That being said: 1) Dev Hynes is already making most of his money working for evil corporations. He writes songs for major label artists like Britney Spears, Sky Ferreira and Solange Knowles, and you're splitting hairs if you want to argue about whether record labels or clothing stores are more corrupt. He also partnered with Urban Outfitters for his last music video. 2) Right now Dev is 28. Even if he plays his cards right, he might have already reached his peak as a career musician, which is a job with a short life expectancy. Like professional athletes, there is a very small window of time where Dev is able to make good money from his talents. Worrying about "keeping it real" might appease his fanbase today, but where will they be a year from now? Knowing the indie music life cycle, they'll probably already have moved from Dev to another hot new artist, and he'll be left wondering why he was ever concerned about their armchair quarterbacking of his career moves. 3) While it's great when a band like Fugazi takes a hardline stance against corporatism, that's an insanely high standard to hold every musician to. In fact, we're arguing about this on a website that makes it's money off of banner ads for Gap so even YOU don't meet the standard you're holding Dev to. Dev might be making money from Gap, but everytime you go to Stereogum, you're helping the site do the same.
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November 8, 2014 on Watch Dev Hynes’ Gap Commercial & “Play Your Stripes” In The Interactive Game
Your entitled opinions and expectations for another person's music, career, and life decisions are nauseating. If it takes a corporate sponsor to help a talented artist turn their side project into a career, I can't judge the guy for taking it. This isn't the early 90's anymore- I think you severely underestimate how difficult it is to make money as a non-top 40 artist. Most of the musicians covered on this site are still living with their parents.
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November 8, 2014 on Watch Dev Hynes’ Gap Commercial & “Play Your Stripes” In The Interactive Game
Did you buy his album? Probably not. Let the man get paid. The shelf life of most indie artists is 3-6 months, he's smart for striking while the iron is hot.
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November 7, 2014 on Watch Dev Hynes’ Gap Commercial & “Play Your Stripes” In The Interactive Game