Max the King of All Wild Things
Not to mention just really out of place next to a Daft Punk goof. Doesn’t make sense to slam on people not using “actual instruments” by using a band that just released a meticulously crafted album that was supposed to be using “actual instruments” to push back against contemporary EDM.
Whatever that background synth is in “Midnight” is basically Hopkins signature at this point. Hoping he pushed them more on this album. The guy is great.
That’s what they kept saying about Peter O’Toole.
Aw, now you made me a little upset that it didn’t turn out Burial was really just Byron the Bulb, somehow removed from the Grid but making incredible tunes to send back through it, in all their rhythmic 1′s and 0′s, trying to warn us all…
You could say “fuck it” and throw in “Only the Young” from Brandon’s solo album because it’s legit great and is basically a Killers song anyways (as is that whole album really).
I feel like “Flesh and Bone” was the only song that stood out to me on that album. Everything else just sort of meshed together.
That’s fantastic news.
Yeah but this one is about how it’s not about her gender, man. Ya dig?
The lounge version of “Wake Up” was amazing.
Their sound has always been awful. I remember when TV on the Radio played there, and it was maybe one of the worst sounding things I’ve heard–which is a bummer because they are great. I think there’s some union rules or something that prevents band’s normal sound crew from working.