Melbourne's Geld play an ugly, discordant, feverish form of hardcore punk. They've clearly studied the wildest and most chaotic forms of hardcore that the genre's…
Last year, the Seattle alternative rock band Versing released 1000, an album that dug deep into a number of different strains of American underground rock.
Tomorrow, the prolific and long-running Japanese fuzz-metal overlords Boris will self-release their new album NO. Let me just tell you: I have heard NO. It…
Sauce Walka and Sada Baby are made for each other. Both Sauce Walka, from Houston, and Sada Baby, from Detroit, have made themselves underground-rap institutions,…
The Washington, DC-based singer and producer Bartees Strange -- an environmental lobbyist when he isn't releasing emo and folk-punk records -- loves the National. For…
Soccer Mommy released the great sophomore album color theory earlier this year, just before everything went to shit. Since she can't tour behind it, she's…
Chris Stewart is a Los Angeles resident who releases stark, twitchy music under the name Black Marble. Musically, Black Marble draws on postpunk and synthpop,…
Kinda feel like I've gotten into the MJ allegations already and I don't need to dig into them on every MJ piece I write. There are moments when it'll be relevant -- "You Are Not Alone," yeesh -- but all these pieces are already gonna be crazy long even without me addressing that stuff.
There is no amount of money that would make my disavow my stance that "Don't Stop Believin'" is a 10.
Also, "Lights" peaked at #68, but I'd give that one a 10, too, if I could.
The Beatles have 20 #1 hits. Drake has 4. If you count guest appearances, he has 7. The stats haven't been all the way juked, and a #1 single still means something.
Per capita? Yeah, probably. When the Nazis came to town a couple of years ago, it was because locals were trying to get the big centrally located Robert E Lee one taken down. (It's still up because of court orders.)
