Yeah, because part of being "an adventurous artist" is letting yourself be offended/dissatisfied by the work you're involved in..?
And "freak flag"? seriously? It's 2012.
No "identifying voice"? "revolving door could be disorienting"? I think this is being a bit too critical on Gorillaz. Part of what makes Gorillaz great is that there's always something different from album-to-album and even song-to-song. That "revolving door" has seen some of the best collaborations in pop music over the last decade. It's a wonderful concept to have a rotating cast under a single creative music voice. Even if they're all over the place style-wise, that's EXACTLY what makes this project unique and stimulating for me. There are few people who make pop music as interesting as Damon Albarn. While I moderately enjoyed Rocket Juice, it's simply unthinkable to rank it over the entire Gorillaz catalogue.
I think I figured out the picture. Rossen is in sound booth marked "Do Not Enter", recording a rushing river of guitar greatness. The engineer and rest of the band can only chuckle in amazement.
Not only does NME not know good american music in the 90s, they can't even pick the best songs by Blur, who are pretty much 90s British royalty . You have 4 great albums by Blur in the 90s (i'm excluding Leisure for obvious reasons) and you pick three clunkers (For Tomorrow isn't too bad, but still). But I'm sure two songs by something called "Suede" are way better than anything by Blur.
There's nothing "organic" sounding in the recording. The bass and keyboard (and even the drums) sound excessively digitally processed. The drums have a particular arena-like crap treatment on them. Good thing the song is decent.
my new Lana Del Ray-article-on-Stereogum routine:
1. click on link
2. scroll to comments
3. be entertained more than the actual video/article could entertain me
2010: The Strokes, Phoenix, Arcade Fire, Hot Chip, Grizzly Bear, The National, MGMT, Spoon, Devo, Chromeo, Yeasayer, Black Keys etc. ..way better than this year
It's been said previously on this comment board, but seriously....Hot Chip....seriously. They've come out with three solid albums in a row now but Usher and Timbaland? yah..good stuff bros
I don't know a whole lot about Santigold. I listened to her first record once or twice and liked it just fine. And yet I learned next to nothing about her in this article that i didn't know already. I did learn some new words though! "polyglot", "ebullient", "exegesis" And i read a lot of in-parentheses-statements. eight of them.
i love this discussion here. You guys bring up some great points. My cousin went to Berklee for film scoring and they make you pick a principal instrument (he picked voice). And he literally had a class where they showed you how to "perform" as a "front man" or some bullshit. From what he described, it sounded nauseating and offensive. Maybe it's because of internet oversaturation, but it's too bad how just an image can make you or break you. There's so much more going on musically going on that is getting overshadowed by style/message/clothing lines/perfume lines etc. how about the prevalence of the major IV7 chord? or the decline of V7? i don't expect everyone to geek out into music theory or anything (i'm not very well educated in it myself), but we need a bit of geekery on a site that's catered to MUSIC fans.
your beef with Kraftwerk was that it was hard to get tickets? Playing each album all the way through is the best thing i could hope for from them. (even though there's only one founding member left)
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