Comments

It just happens that I was in a Macy's picking up some makeup for my wife and someone over at the Bobbi Brown counter put on the original of "Hold On, We're Going Home"...and you're right, the kick just destroys the track. It's terrible crunk-'n'-B of the sort that should have gone away five years ago.
This ain't bad at all. Speaking of funk-inflected alt-rockers of the era, I really hope the Afghan Whigs actually put an album out, because the Twilight Singers discography just doesn't do a very good job capturing the vibe that Dulli captured so amazingly well on 1965.
I have to say, I find Alex Turner's slightly ragged voice much more enjoyable to listen to than Drake's Autotuned falsetto. Good track.
This is definitely going to be a very "adult" album, but that's not necessarily a bad thing from a bunch of dudes who are all around 40. Superb rhythm section work, but you expect that from these guys.
This was fun, but really, someone in the band should have been wearing those awesome short-shorts like Bernard Sumner had in the iconic live-in-studio version (where he flubs the stone-simple guitar intro, probably because he was obviously coked out of his mind).
I listened to this album all the time back in '03. Hearing it now takes me back to sitting in my room in my parents' huge, tacky house on the exurban edges of Chicago's sprawl, playing "Civilization 3" and wondering what the hell I was going to do with my life after my post-college-graduation plans had fallen apart. There's some really killer slide work on this disc, BTW.
A friend of mine on Kitty (Pryde): "I tried listening to 'Okay Cupid' but all I heard was 'YOU ARE 37 YEARS OLD THIS IS NOT FOR YOU.'"
That was pretty impressive. It'd be a lot better live but I was still headbanging in my cubicle.
It's odd, but effective. We're probably not going to get another "Lightsabre Cocksucking Blues" or "You Should Be Ashamed, Seamus" out of this record, but even getting to the level of "Throwing Bricks at Trains" or "Lapsed Catholics" would be great. What I'm hearing here suggests that Falkous still has it in him. The whispered female vocals are a nice touch, BTW.
The guitar work on this is just filthy, in all the right ways. Love it love it love it. Looking forward to the LP.
You're not kidding about Travis' voice being ageless. He sounds exactly like he did on Is Terrified, which was 16 years ago.
This is the sound of someone attempting to treat schizophrenia with a cocktail of PCP and codeine.
Those don't sound like synths to me--they sound like massively overdubbed Robert Fripp guitars.
Pleasant song. The singer's voice bears a more than passing resemblance to Travis Morrison, which is probably going to invite a lot of lazy (and inaccurate) Dismemberment Plan comparisons.
It was. I loved him even after he got traded to the Yankees; he flipped off a Yankee Stadium crowd, which is basically the equivalent of exposing yourself at a giant festival concert. Is he still writing for Yahoo Sports?
Pretty rad track, and the video makes sense with the seasick riffage.
It's kinda Eurotrash but in an awesome way. I dig.
Hanneman looked to be in pretty bad shape for the past few years now, well before the spider bite, but this is still terrible. RIP.
They never did much for me, and the domestic abuse doesn't exactly help.
I don't think I've ever heard that accent before; it sounds vaguely Celtic, but th'hell do I know? I think a lot of the Joy Division comparisons that Savages have gotten are a bit lazy--not as lazy as the ones Interpol got, but still pretty lazy--but Savages' drummer certainly is in the same league as Stephen Morris. Very, very impressive.
Man, I really wish I didn't have to watch that damned Budweiser ad before the video.
I'm pretty sure that if Prince makes a stoner metal album, it will be the greatest thing ever made.
I'm pretty sure this just obliterated every skate video ever made.
The great thing about this song, and most Motown singles for that matter, is that they were so damned good on their own that a minimalist arrangement like this can still be interesting.
No, it was a Subaru Forester. Probably wasn't even black like a proper Bauhearse.
This is a reinvention of the song on the level of Mark Kozelek. So wait--why hasn't Dinosaur Jr. released an entire covers album before?
Perhaps he had the meth as part of a...DOUBLE DARE. (this could go on forever)
It's the most beautifully ridiculous thing I've seen in months, if not years. Also, anyone else think that Bowie looks disturbingly like Ronald Reagan in this vid? Good track, too.
I seem to recall that he wrote "Still Ill" and one of the other early Smiths classics on the same evening, in the same fashsion.
Twin Shadow's last record didn't have a "sun-dazed Californian studio-pop sensibility?" And here I thought he wrote and recorded it in Silver Lake and spent every day doing yoga and riding his motorcycle on Angeles Crest Highway; I didn't know that it was actually recorded in a cabin in the woods of northern Wisconsin in the winter.
This reminds me of that line in X1's "New York Is So Cool" (http://www.youtube.com/watch?v=ieqbNJHm23w) about seeing 50 Cent hanging out with Interpol. Although in this case, it seems more likely that Banks has been hanging out with Mr. Muthafuckin' Exquire.
I can't wait for the next Twin Shadow album, so I can try to figure out which song is about shagging Ferreira and then desperately trying not to get into a relationship with her.
Not that I'd willingly listen to Uffie, mind you.
I made it to 1:33. Remind me why this is supposed to be taken seriously and Uffie is a punchline.
I'm not sure this succeeds at anything but being really annoying. On the other hand, I suspect this is the intent.
This was more interesting when it was just "Call Me Maybe" layered on top of itself 150 times.
I saw DR open for Twin Shadow last year; he's got a lot better moves without a guitar in his hand.
I can't believe nobody picked up that "selling blowjobs and meth at a mud pit downstate" is a reference to Gathering of the Juggalos. Come on, people, you're falling down on the job here.
Yeah, that's good stuff. I've got Runner on pre-order, and it's looking like I won't be disappointed--not that I would be given how consistently superb Prekop & Co. have been for the last 18 years.
I've pre-ordered my copy! Not to get all spammy, but there's a song about him on my new EP. I think he'd appreciate it: http://soundcloud.com/giantkudzu/jens-lekman