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Get ready for boutique long-COVID treatment products beautifully photographed all over instagram
Pasty-ass Radiohead bringing the loud and dour surrounded by bronzed wannabe The Grind dancers
This isn’t the plate for that kind of talk
Wow, can the answer to “why did black artists dominate the singles chart in the 90s” really be as simple as “white artists didn’t release singles”?
I’m really digging this sound, beautifully wrangled chaos. It’s like No Age and Camera Obscura had a baby.
Anyone else fall for Sharon based on Give Out?
What, no Freak On A Leash? You and I weren’t meant to be.
Fields of Gold ate If I Ever Lose My Faith
Listening to the new vinyl reissue of Let England Shake and realized we didn’t get an Anniversary article for Let England Shake. Maybe you could do a tardy edition? I dunno, I’m no writer. But do that.
Maybe it’s a cliche but I think No Ordinary Love is high in the running for sexiest song ever made. The melancholy makes it that much sexier.
There was a stretch in the nineties where you couldn’t go to a festival without running into the Bosstones. And honestly, even not being huge fan, it was always a great time.
Wow you’re really going through something here, huh
Someday I suppose it was bound to happen. Let’s face it: it was overdue.
Just now listening. That bass line is god-tier
What I find hilarious about this project is I’m willing to bet Ed, Colin and Phil and long been champing at the bit to do a bit of old school rocking out (I’m basing this on nothing other than an intuition) but kept getting slow pretty material from Thom and Jonny. Then Thom and Jonny finally get in the mood to rock and just screw off and do it without the other three.