the majority of the 2010s and so 2020s are a low point in the history of rock n roll, so it tracks that one of the go to festival headlining rock bands today is an act in its 3rd decade of existence
there needs to be an addendum to this article that delves into the impact that kid a's/amnesiac's live album companion, i might be wrong: live recordings, had on the appreciation and understanding of these albums. almost every performance rivals or surpasses its studio recording.
it's just in a slump. remember when we last thought rock was over, in like 99? then months later it came back for another fantastic period of great new bands
right. especially for rock n roll, i dont think lyrics>music people are as lyrically inclined as they think. i'll ask them, what would you rather listen to -- the music of paranoid android with generic or bad lyrics about relationships or whatever other pop trope or the lyrics to paranoid android over some skrillex or some junk. or, imagine you're at a concert, what would you prefer, the vocal mic malfunctioning for the whole show or the vocal mic being the only thing works
that's fantastic. i saw a dude in line before doors to see the strokes at the tabernacle in atlanta in 06 dressed up exactly like julian casablancas from the $2 bill show. he nailed it, even looked julian physically. he did not fight anyone in line but i remember the local radio station palying the world premiere of pearl jam's word wide suicide
hey now, lost in alphaville is cover to cover perfect. it rivals ROTR. i really thought Q36 was going to deliver after that one and after the strong as anything theyd ever done singles: elon musk is making me sad and spaceships, but, alas.
"the next stadium tour." ahh yes, that perennial touring machine, the strokes.
back when TNA came out, i said on here 'i think this might be a bad album, but i'll still give it 1,000 listens'. turns out that was the correct approach as i love it now
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