It is a "satirical" song that sounds completely and totally earnest, lol
If the entire aesthetic around the album line up perfectly with this song and the other songs released didn't sound pretty much exactly like this song, the satirical aspect might play a bit better
Not only is this song very lame but Lorde comes off really poorly here and horribly out of touch. Are people supposed to be able to identify with this incredibly dumb shit?
I get the feeling that Chris Stapleton would love to make some pretty fucking weird shit but he's too popular in the country space to be allowed to do so. This is pretty cool.
Hetfield's lyrics have never been anything particularly special, but they generally fit a Metallica song. When you strip all the other elements out of the song that make it a Metallica song, yeah, you're gonna get some clunky sounding lyrics
I'm not a big Moby hater or a big Moby lover, but I thought he came off poorly from his comments in the documentary. Mostly about his silly idealization of the original Woodstock. I get his point about it being the "most idyllic" gathering of 500,000 people in human history or whatever (which is probably still a questionable statement) but he goes on and one about how he hated the lineup, he knew the vibes would be off, or whatever else. Why not just, you know, pull out of it?
Agreed with the rest of your post here. John Scher is a fucking moron.
Well she has certainly come along way from this gem of a lyric from her 2015 song "Colors":
You were red and you liked me 'cause I was blue
But you touched me and suddenly I was a lilac sky
And you decided purple just wasn't for you
Yeah, for a bunch of people who wanted nothing more than to get Trump out of office (I was in that boat too), it is really weird how much they still love to talk about him.
I think we will look back on that early 2010's period as a minor golden age in hip-hop. Even guys who we think of almost as jokes today were releasing stellar mixtapes that became part of the zeitgeist, notably Wiz Khalifa's Kush & Orange Juice, which was MASSIVE when I was in college.
Section.80 reminds me of being in college and finding out about Kendrick for the first time and being onto him before GKMC sent him into the stratosphere the following year. A lot of the early reactions to him from people who weren't big time hip-hop fans were about how weird his voice was. Was fun to see those opinions change so quickly as he ascended.
Section.80 still has some of my all time favorite Kendrick tracks in "ADHD", "Rigamortus" and "HiiiPower"
I'm sure he'll find his way in there somehow. I think it is a music industry requirement for white female pop stars to work with him on at least one song per album.
This is an incredible lineup.
Glad to see OT Genasis is still around too. I saw him at a festival back when CoCo was big and he was a ton of fun. Had this whole section where he sang a Taylor Swift song lmao
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